- #DAVINCI RESOLVE PLUGINS INEXPENSIVE LIGHT FX PRO#
- #DAVINCI RESOLVE PLUGINS INEXPENSIVE LIGHT FX SOFTWARE#
- #DAVINCI RESOLVE PLUGINS INEXPENSIVE LIGHT FX PLUS#
- #DAVINCI RESOLVE PLUGINS INEXPENSIVE LIGHT FX PROFESSIONAL#
Developed by Ed Lachman, ASC, the EL Zone System is a false color display with 15 colors to represent a 15-stop exposure range.
Scope choices include waveform, RGB parade, or vectorscope, but also EL Zones. Color wheels, printer light controls, scopes, and versions are in the bottom half. The top half of the Grade tab displays the viewer and reference images used for matching.
#DAVINCI RESOLVE PLUGINS INEXPENSIVE LIGHT FX PRO#
The Pro interface features three tabs – Grade, Timeline Intelligence, and Look Design.
For any unknown camera, manually test the settings for different cameras or simply stick with a default Rec 709 IDT. The Colourlab Ai app will automatically determine some of the camera sources (like ARRI files) and apply the correct IDT. Then drag that project from FCP to the Colourlab Ai icon on the dock (Colourlab Ai has already been opened). Step one of the workflow is to assemble a stringout of all of your raw footage into a new FCP project (sequence). Colourlab Ai is intended to make that process more efficient by employing artificial intelligence. Shot matching between different set-ups and camera types is the most time-consuming part of color grading. I could have simply sent the locked cut once to Colourlab Ai, but my intention was to test a workflow more common for feature films.
My workflow test involved two passes – once for dailies (such as a one-light grade performed by a DIT on-set) and then again for the final grade of the locked cut. Colourlab Ai takes a different approach by offloading the grade to its own application, which has been designed specifically for this task. CoreMelt (Chromatic) and Color Trix (Color Finale) are two examples of developers who have had success offering advanced tools, using floating panels within the Final Cut Pro interface.
#DAVINCI RESOLVE PLUGINS INEXPENSIVE LIGHT FX PROFESSIONAL#
Thanks to Apple’s color science and media architecture, Final Cut Pro can be used as a professional color grading platform with the right third-party tools. The fact that no media need be rendered also significantly speeds up the process.Ī professional grading workflow with Final Cut Pro and Colourlab Ai This is especially a game changer for DITs who deliver footage with a one-light grade to editors working in FCP. The ability to hand off source clips to Final Cut Pro with color metadata attached is unique to Colourlab Ai. In fact, the Colourlab Ai plug-in for FCP is a full-featured grading effect and you could use it that way. If you want to modify any color parameter, simply uncheck the “Use Smart Match” button and adjust the sliders in the inspector. The settings are still editable inside Final Cut Pro (not Premiere Pro). A source effect is automatically applied to each clip with those color parameters. The Colourlab Ai plug-in for Final Cut Pro or Premiere Pro reads the color information created by the Colourlab Ai application from an XML file used to transfer that data. These integrations differ slightly, due to the architecture of each host application.Īdvanced color science and image processing The Pro version adds advanced show look design, DaVinci Resolve and Pomfort Live Grade integration, SDI output, and Tangent panel support.
#DAVINCI RESOLVE PLUGINS INEXPENSIVE LIGHT FX PLUS#
The Creator version offers all of the color matching and grading tools, plus links to Final Cut Pro and Premiere Pro. Most Premiere Pro and Final Cut Pro editors will be interested in either the basic Colourlab Ai Creator or the richer features of Colourlab Ai Pro. It’s a macOS product that’s a combination of a standalone application and companion plug-ins for Resolve, Premiere Pro, Final Cut Pro, and Pomfort Live Grade.Ĭolourlab Ai is comprised of two main functions – grading and show look creation. Why can’t modern artificial intelligence tools improve the color grading process? Colorist and color scientist Dado Valentic developed Colourlab Ai as just that solution.
#DAVINCI RESOLVE PLUGINS INEXPENSIVE LIGHT FX SOFTWARE#
There are many low-cost software options for color correction and grading, but getting a stunning look is still down to the skill of a colorist. An artificial intelligence grading option for editors and colorists
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